
Going to keep this short, only because there surprisingly was very little to say about the show. About a week ago Denmark’s Mew (meh), San Francisco’s Two Gallants (yeah!), Toronto’s Broken Social Scene (ace!), and England’s Bloc Party (meh, but not as meh as Mew) played an out door show at The Greek Theater in Berkeley.
I remember more about the hot young indie chicks running around than I do about the performances. But in Broken Social Scene’s defense, they were missing Feist, Amy Milan, and Emily Haines. It was kind of like watching the 1972 Man United squad without Georgie Best.

Lobinger was there. These three weren’t.
Here’s the setlist:
Jimmy and the Photocall
7/4 (Shoreline)
Cause = Time
Fire Eye’d Boy
Stars + Sons
Superconnected
Handjobs for the Holidays
Ibi Dreams of Pavement (A Better Day)
It’s All Gonna Break
(Superconnected and Handjobs may have been played in reverse order, I couldn’t read my notes. Fookin’ catscratch.)
That’s right, no “Almost Crimes,” no “Anthems,” no “KC Accidental,” no “Major Label Debut (slow),” no “Major Label Debut (fast),” no “Major Label Debut (acoustic).”
Even with all that, they’re still one the best.
Maybe this will satisfy my Feist-less Major Label Debut-less experience.
While we’re on BSS, I quite enjoyed this quote from a review in New York Magazine: “I think there’s another reason Broken Social Scene sounds better this time around. The context of indie rock has changed. The last two years have seen an explosion of young retro-obsessed bands who name-drop the likes of Joy Division and Gang of Four as their influences but usually sound more like Duran Duran. It’s hard to explain why this is happening, but their lack of musical ambition is a bummer. Give me a collective over that any day.”





